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Content and aims of
the paper: The paper explores issues in contemporary Chinese
popular culture with a particular focus on the 1980s and 1990s. The course is
organized thematically. Each week we will focus on one main topic and explore
a variety of printed and electronic media. We will look at short stories,
films, television programs, popular music, avant-garde art, and Internet blogs. While the object of our scrutiny is popular
culture, we will also examine cultural products that in fact challenge the very
separation between elite/highbrow and popular/lowbrow culture. Co-ordinator: Dr Paola Voci
Office:
3.S.3 1 Phone:
479-5994 E-mail:
paola.voci@stonebow.otago.ac.nz |
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Class WIKI PAGE: http://www.chinaonvideo.org/mwiki/
Entry requirement: A pass in CHIN131, CHIN132 or equivalent
background in the Chinese language.
Coursebook: Online Course Reader [In other words:
unless otherwise specified, all reading material
is available on BB]
Duration: Second Semester, 6 points Class
hours: 3 hours per week
Timetable: Tue, Wed, Thu:
Terms/Requirements: Attendance at no less than 80% of
all classes (lectures, and tutorials)
Assessment:
The paper
is 100% internally assessed through a variety of both written and oral
assignments. Participation is not only required, but in fact essential.
Summary of Assignments:
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Weekly
posting on our Class Blog部落格/网络日记(10%)
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One
contribution to our Class Critical Forum (20%)
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One
oral presentation (20% divided into 5% written draft and 15% oral presentation)
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One
research project to be submitted either as a website, a PP, or a document file
(50% divided into 10% for outline and bibliography and 40% for the final
project)
Posting
on the Class Blogs部落格/网络日记 (10%):
Time: Questions are due every Monday at
Students will post weekly critical (NOT factual!)
comments/questions based on the assigned texts. These posts will become the
starting point for our class discussion. Late submissions will not be graded.
While blogging in Chinese is always encouraged for
all students, CHIN344 students need to
post at least 4 weekly blog entries in Chinese.
Contribution
to Class Critical Forum (20%)
Time: Every Thursday
The main tasks involved are:
- summary of the class blog
entries
- summary of the assigned reading’s main contents
While one contribution is required for all students, CHIN344 students will also submit four one-page
critical responses to selected articles. (see weekly schedule for specific
details)
Oral
Presentation (20%)
Time: Students will
submit a first draft on week 5 and a final draft on week 10. On week 13,
students will present their work.
During the course of this paper, students will work on one
presentation based on creative scripts written by the students themselves or
adaptations from Chinese sources. Both individual and small group presentations
(four participants as a maximum) are accepted. Ideas include (but are not
limited to):
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performance:
a short play or a monologue
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news:
reporting about an event (interview
style or anchor-person style)
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debate:
talk-show
Research
project
Time: Outline and
Bibliography are due during week 7, before mid-term break. Final Project is due
by 12 October @
Starting from week 3, students will begin to work on an
investigative and critical project on a self-chosen topic. The project must
involve bibliographical research and critical evaluation of data.
PLEASE
READ this very important note:
Plagiarism:
Plagiarism
is defined as copying or paraphrasing another person's work and presenting it
as one's own - whether intentionally, or through failure to take proper care.
Being party to someone else's plagiarism (by allowing them to copy your work or
by otherwise helping them plagiarise work for an assessment) is also dishonest
practice.
Plagiarism may result in an
automatic ZERO grade in the class (not just the assignment). If you are still unsure about
what plagiarism is, go to http://www.otago.ac.nz/study/plagiarism.html#dishonest
or ask me.
Language Resources:
Chinese/English Dictionaries
Online |
Window on Contemporary China:
东南西北Blog |
Schedule and
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Week
One Introduction |
Week Eight MId-semester
break |
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Week Two Nation, National(ism) (A) |
Week Nine上网[CHIN344] |
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Week Three Nation, National(ism) (B) [CHIN344] |
Week TEN Modernity现代性、现代作风、 近世思想 FInal DRAFT for GROUP PRESENTATION IS DUE |
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Week Four Post-Mao |
Week ELEVEN Chinese Revolutions |
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Week Five National Wounds: 文化大革命[CHIN344] FIRST DRAFT for GROUP PRESENTATION IS
DUE |
Week twelve Environment |
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Week Six Economic Development |
Week Thirteen GROup
presentation |
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Week Seven民主主义、 人权、自由[CHIN344] OUTLINE
& Bibliography for Final Project are due |
Week Fourteen FINAL RESEARCH PROJECT IS DUE |
Welcome! Introduction to the Paper: topics and requirements. Sign-up for the Contribution to the Class Forum.
During
this first week, we will explore our main on-line language and news resources.
There will be some basic training for those of you who don’t know how to write
in Chinese or how to use dictionaries. We will also do warming-up exercises in
Chinese.
Note: If you miss this introductory
week, please make sure you familiarize yourself with the paper’s basic tools
(i.e.: how to write in Chinese, how to browse in Chinese) and main resources
(websites and other course material on BB). Also, read carefully our schedule and
all the information regarding assessment. While I will try to give reminders
during our class meetings, it is your
responsibility to know what is expected from you (and when): i.e., prepare
the assigned reading (every week), post to the class blog
(every week), sign-up for the contributions to the class forum, prepare oral
presentations by the scheduled time, and submit main research drafts according
to the deadlines.
Topic: Nation, National(ism) (A)
Critical Angle: 华人, 中国,龙的传人
SCREENING: 河殇: 第一集:寻梦 (TV series)
Suggested
Additional
Topic: Nation, National(ism) (B)
Critical Angle: Japan/China relations
a.
南京大屠杀 (Nanjing Massacre)
b.
中日韩合编课本全面还原历史 反击日右翼分子 (history textbook controversy)
c.
日本靖国神舍的内部照片:该让所有中国人都知道 (Yasukuni
Shrine)
SCREENING: 鬼子来了Devils on the Doorstep, dir. Jiang Wen, 1999.
Topic: Post-Mao
Critical Angle: New Era and Old Problems
SCREENING: 秋菊打官司The
Story of Qiu Ju, dir. Zhang Yimou, 1993
送礼 (A Bribe) Handout
Performing
in Chinese – A short play
Topic: National Wounds: 文化大革命
Critical Angle: Re-examining
the Cultural Revolution
SCREENING: 蓝风筝 The Blue Kite, dir. Tian Zhuangzhuang田壮壮, 1993
1. Gao Yuan, Born Red, Stanford:
2. 蓝风筝剧本:一场戏
3. Yu Hua余华, To Live 活着 (excerpt)
TOPIC: Economic Development ?
CRITICAL
ANGLE: 看不见的城市:Farmers, Miners, Migrants, Beggars
Screening:盲井Blind
Shaft, dir. Li Yang李杨, 2005
OUTLINE
& Bibliography for Final Project is due
Topic: 民主主义、 人权、自由
Critical Angle: 从六四到蒙牛酸酸乳超级女声
SCREENING: Tiananmen: Gate of Heavenly
Peace
Suggested
Additional
Week Eight (29-30-31 August): MId-semester break
Topic: 上网
Critical Angle: freedom and censorship
IN-CLASS EXERCISE:
Google谷歌searches
Lau, Michelle W. “Internet Development and Information
Control in the People’s Republic of
Shank,
Megan. “One inch forward, one foot back: A look at the Internet from behind the
Great Firewall”
French,
Howard. “As Chinese Students Go Online, Little Sister Is Watching”
FInal DRAFT for GROUP PRESENTATION IS
DUE
Topic: Modernity现代性、现代作风、 近世思想
Critical Angle:
a. 新感觉派
(1920s-1930s)
b. The City
c. The
Modernist Generations in Art (1920 - 1950)
1.
Lee,
Leo Ou-fan
"Shanghai Modern: Reflections on Urban Culture in
2.
Hei Ying 黑婴. “Dang chuntian laidao de shihou” 当春天来到的时候 (When spring arrives). Liangyou
良友 (The Young Companion) no. 87 (April 1934): 26-27.
3. ___. When Spring Arrives. Translated by
May-lee Chai. Modern
Chinese Literature no.9 (1995), pp. 31-38.
4. Mu
Shiying 穆时英. “Yezonghui
lide wuge ren夜总会里的五个人” (Five
people in a nightclub). In Kong,
Fanjin 孔范今, ed. Zhongguo
xiandai wenxue buyi shuxi: xiaoshuo juan 中国当代文学补遗书系﹕小说卷
(Collections of the marginalized texts in modern Chinese literature:
fiction). Ji’nan: Mingtian
chubanshe, 1990.vol. 2.,
pp. 500-23. Handout
Suggested additional reading:
5. Zhang, Yingjin.
“The texture of the Metropolis: Modernist Inscriptions of Shanghai in the
1930s.” Modern Chinese
Literature. no. 9 (1995): 11-30.
6. Schaefer,
William. “Shanghai Savage” positions 11:1 Spring 2003, pp. 91-133
Topic: Chinese Revolutions
Critical Angle: The many meanings of avant-garde
SCREENING: 像鸡毛一样飞Chicken Poets, dir. 孟京辉Meng Jinghui, 2002.
Reading/Viewing:
Week twelve (26-27-28
september)
Topic: Environment
CRITICAL
ANGLE: 污染
SCreening: 大树县 (纪录片)
Reading:
GROup presentationS
Week Fourteen (10-11-12 october)
Topic: China Beyond China: the Chinese in New Zealand (a media overview)
Critical Angle: Multiple Identities
Reading: